Television Series as a Phenomenon of Screen Culture
https://doi.org/10.21869/2223-1552-2021-11-5-243-250
Abstract
Relevance. Modern screen culture as a component of mass communication occupies a leading position in terms of influence on public consciousness. A television series as a part of mass culture secures important content, time and functional positions. In our opinion, with the increasing importance of the television series as an aspect of mass culture in particular and modern socio-cultural life in general, active attention should be paid to the formation of this phenomenon as a postmodern aspect and reflection of the "non-classical" model of reality.
The purpose is to identify the specifics of a television series as a cultural text and determine its place in the field of modern screen culture.
Objectives: to establish the role and significance of the TV series in the context of the current reality of screen culture and to assess its communicative effectiveness; to find the relationship between the seriality of a television series through its reflection as a phenomenon of mass consciousness and an important aspect of postmodern reality; to trace the specifics of the language of the TV series and the complex of semiotic codes presented in it; analyze the phenomenon of the TV series and evaluate its impact on the viewer through psychological and emotional mechanisms.
Methodology. In the process of working on the study, mainly structural-diachronic, historical-biographical, hermeneutic methods, the method of system analysis were used.
The results of the study can be used in the course of the educational process when considering issues in various courses on anthropology, philosophy of history, philosophy of culture, etc.
Conclusions. As our analysis of the source base shows, as a rule, the television series became the object of research from the point of view of classical aesthetics or from the point of view of its perception from the point of view of the recipient, that is, the audience. For us, the television series is of interest primarily as a semiotic carrier of a cultural text, where multidimensional and multilevel inclusions of various discourses and codes are reflected.
Keywords
About the Authors
N. V. VolokhovaRussian Federation
Natalia V. Volokhova, Doctor of Philosophical Sciences, Professor of the Department of Philosophy
Scopus Author ID: 57189517020
Researcher ID: T-7441-2018
33 Radishcheva str., Kursk 305000
A. V. Postnikov
Russian Federation
Alex V. Postnikov, Post-Graduate Student Department of Philosophy
33 Radishcheva str., Kursk 305000
References
1. Zemlyanova L. M. Kommunikativistika i sredstva informatsii [Communication studies and mass media]. Moscow, Publishing House of Moscow University, 2004. 415 p.
2. Abramenkova V. T. Deti i televizionnyi ekran [Children and the television screen]. Vospitanie shkol'nikov = Education of Schoolchildren, 2006, no. 6, pp. 28–31.
3. Volokhova N. V. L. N. Tolstoi o roli iskusstva v formirovanii obshchestva i cheloveka [L. N. Tolstoy on the role of art in the formation of society and man]. Izvestiya Yugo-Zapadnogo gosudarstvennogo universiteta = Proceedings of the Southwest State University, 2012, no. 4-3 (43), pp. 181–187.
4. Batsyna Ya. V. [The influence of mass media on society. Projecting television models on the behavior of teenagers]. Perspektivy. Sbornik nauchnykh statei aspirantov [Prospects. Collection of Scientific Postgraduates]. N. Novgorod, 2005, is. 4, pp. 96–106. (In Russ.)
5. Kushnareva I. Kak nas priuchili k serialam [How we were accustomed to TV series]. LOGOS = LOGOS, 2013, no. 3 (93), pp. 67–78.
6. Akopov A. Z. Serial kak natsional'naya ideya [TV series as a national idea]. Iskusstvo kino = The Art of Cinema, 2000, no. 2, pp. 12–28.
7. Arsenyev V. V. Epokha serialov v Rossii tol'ko nachinaetsya [The era of serials in Russia is just beginning]. Iskusstvo kino = The Art of Cinema, 2000, no. 2, pp. 10–14.
8. Brazil'skii serial "Vavilonskaya bashnya" [The Brazilian TV series "The Tower of Babel"]. Available at: https://www.vokrug.tv/product/show/vavilonskaya_bashnya. (accessed 15.06.2021)
9. Detektivnyi serial "Boskh" [Detective series "Bosch"]. Available at: https://www.kinoteatr.ru/kino/art/serial/3859 /. (accessed 05.07.2021)
10. Rossiiskii komediinyi serial s elementami melodramy "Vos'midesyatye" [Russian comedy series with elements of the melodrama "The Eighties"]. Available at: https://ru.wikipedia.org/wiki/TheEighties/. (accessed 25.06.2021)
11. Berdyaev H. A. Smysl tvorchestva [The meaning of creativity]. Moscow, AST, Astrel Publ., 2010. 358 p.
12. Gurevich P. S. Kul'turologiya [Culturology]. 5th ed. Moscow, KNORUS Publ., 2017. 448 p.
13. Habermas Yu. Teoriya kommunikativnogo deistviya (Fragmenty) [Theory of communicative action (fragments)]. Lichnost'. Kul'tura. Obshchestvo = Personality. Culture. Society, 2004, no. 1 (21), pp. 303–312.
14. Bart R. Mifologiya [Mythology]. Moscow, Academic Project Publ., 2008. 351 p.
15. Deleuze J., Guattari F. Kapitalizm i shizofreniya: Anti-Edip [Capitalism and schizophrenia: Anti-Oedipus]. Yekaterinburg, U-Factoriya Publ., 2007. 670 p.
16. Derrida J. Polya filosofii [Fields of Philosophy]. Moscow, Academic project Publ., 2012. 376 p.
17. Harris R. Psikhologiya massovykh kommunikatsii [Psychology of mass communications]. St. Petersburg, 2001. 354 p.
18. Grushin B. A. Massovoe soznanie: opyt opredeleniya i problemy issledovaniya [Mass consciousness: experience of definition and problems of research]. Moscow, Politizdat Publ., 1987. 368 p.
19. Denisova A. I. [The series as a cultural and subcultural phenomenon]. Analitika kul'turologii. Sbornik statei [Analysis of cultural studies. Collection of Art]. Tambov, Tambov St. Univ. named after G. R. DerzhavinPubl., 2012, pp. 12-23. (In Russ.)
20. Kara-Murza S. G. Manipulyatsiya soznaniem. Vek KhKhI [Manipulation of consciousness. Century XXI]. Moscow, Algorithm Publ., 2000. 864 p.
21. Pobereznikova E. V. Televidenie vzaimodeistviya. Interaktivnoe pole obshcheniya [Interaction Television. Interactive field of communication]. Moscow, Aspect Press Publ., 2004. 224 p.
22. Kovalev P. A. Molodezhnaya auditoriya televideniya [The youth audience of television]. Znanie. Ponimanie. Umenie = Knowledge. Understanding. Skill, 2006, no. 4, pp. 34–39.
Review
For citations:
Volokhova N.V., Postnikov A.V. Television Series as a Phenomenon of Screen Culture. Proceedings of the Southwest State University. Series: Economics. Sociology. Management. 2021;11(5):243-250. (In Russ.) https://doi.org/10.21869/2223-1552-2021-11-5-243-250